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The Victorian Music Hall: Culture, Class and Conflict, by Dagmar Kift
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This book is the first serious study of the Victorian Music Hall from a national perspective. It outlines the history of the halls, their programs and the particular composition of their audiences. It then goes on to deal with specific conflicts in London and the regions in terms of class and culture, whereby the London scene is shown as being untypical for the nation as a whole. As such it presents the reader with an entirely new perspective and a wealth of previously unpublished source material.
- Sales Rank: #6010711 in Books
- Brand: Brand: Cambridge University Press
- Published on: 1996-10-28
- Original language: English
- Number of items: 1
- Dimensions: 8.98" h x .63" w x 5.98" l, 1.23 pounds
- Binding: Hardcover
- 256 pages
- Used Book in Good Condition
Review
"...very solid and meticulously researched achievement...firmly based in the scholarly literature on the halls while definitely extending its boundaries. It is an important historical study of Victorian popular culture...." Michael Pickering, Victorian Studies
"...a vital contribution to the field, the result of pioneering research that sets the halls in a truly national perspective for the first time. ...anyone concerned with social/cultural formations in Victorian Britain will need to take full account of the complexity and loical diversity in the development of cultural institutions, and in their relations with the wider society, that Dagmar Kift has demonstrated so effectively in this book. It will be indispensable to all students of the music halls, and of great value to historians of nineteenth century culture and society." Philemon Eva, Journal of Social History
"...Kift provides an excellent overview of recent work on the music hall as well as groundbreaking analyses of the provincial halls and their legal troubles. ...an important book that brings fresh evidence and sophisticated interpretation to the complex interelations of popular entertainment, audiences, local government, and pressure groups." Martha Vicinus, American Historical Review
"...providing a mine of knowledge and resources for future scholarship." Essays in Theatre
Language Notes
Text: English (translation)
Original Language: German
From the Back Cover
With the exception of the occasional local case study, music-hall history has until now been presented as the history of the London halls. This book attempts to redress the balance by setting music-hall history within a national perspective. Kift also sheds a new light on the roles of managements, performers and audiences. For example, the author confutes the commonly held assumption that most women in the halls were prostitutes and shows them to have been working women accompanied by workmates of both sexes or by their families. She argues that before the 1890s the halls catered predominantly to working-class and lower middle-class audiences of men and women of all ages and were instrumental in giving them a strong and self-confident identity. The hall's ability to sustain a distinct class-awareness was one of their greatest strengths - but this factor was also at the root of many of the controversies which surrounded them. These controversies are at the centre of the book and Kift treats them as test cases for social relations which provide fresh insights into nineteenth-century British society and politics.
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